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And while that might seem simplistic, it’s still something unexpected in 2016, as viewers have come to expect queer women characters in both television and film to suffer consequences of the expressions of their sexual identity.And while the conversation as of late has been primarily focused on television, the film industry is certainly not exempt. Almost every single lesbian or bisexual character in the genre is killed and has been since its inception.Lesbian vampires were a huge facet of horror between the 1960s and ’70s, with their evil Sapphic intents for unsuspecting heterosexual women and men promising their equally horrifying ends.
Gia’s glamorous life falls apart as she engages in lesbian sex and heroin. The 1999 German film fictionalized the love story of Lilly Wust and Felice Schragenheim, a Jewish woman who fell in love with a Nazi soldier’s wife, and the time they spent together until Felice (Jaguar) is captured by the Gestapo and ultimately killed in a concentration camp.
More recently, Peter Sollett‘s had viewers bawling while relaying the fight of Lauren Hester‘s life before she died of cancer in 2006.
In a series of compelling stories, this broadcast-quality film explains the law.
But it also captures the imagination and personalizes the value of inclusiveness by showing the potential harm that can be caused by unwelcome conduct.
When there’re a plethora of depictions of queer women on the same level of mainstream or highly-accessible indie film, then we won’t be marred by the reputations of poor representation that precede us.
Heterosexuals should not have the monopoly on happy endings, and interestingly, lesbian filmmakers seem just as likely to be attracted to a story that puts queer women in deadly situations.
In the last 20 years, lesbian/bi women have continued to become early victims in horror films, unless they are the predatorial and obsessive one that is hunting a woman that if they can’t have, no one ever will. But because the horror genre is synonymous with violent deaths, it is perhaps not as surprising that there are a significant amount of lesbian/bi murders throughout.
Instead, it’s the inclusion of these kinds of deaths in more mainstream and/or otherwise non-violent films that can disturb audiences with the necessity to kill a queer woman before the film’s end.
Because of its lesbian themes, China would not allow for it to be shot there, and it was filmed in Vietnam instead.
Special Cases If there is one film that utilizes the death of a lesbian woman for a story that isn’t about or leading up to her tragic end, but instead examines the meaning of a queer woman’s life after it has ended, and the lives it affects around her.
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